So with this disclaimer, I want to tell you about a book I read recently that set my geeky heart singing. It's a normal book about a truly nerdy subject. See, something for everyone!
If you have
n't read In the Land of Invented Languages by linguist Arika Okrent, go out and get it this minute. It is a fascinating overview of the concept, history and reasons behind the world's invented languages. You've probably heard of Esperanto, but did you know that medieval nun Hildegard of Bingen was the first to invent her own language back in the 12th century? Since then, people (mostly really geeky guys) have been giving it a go for a wealth of reasons. During the Enlightenment, it was about controlling the illogical, irregular beast of language, taming it into a more orderly, scientific creature. In the 19th century, Esperanto and many other less famous attempts were meant to heal the violent rifts caused by the rise of nationalism. Today, language inventing is as popular as ever, but folks do it for artistic reasons. They craft languages in the shape of their own worldviews or for worlds of their own creation. JRR Tolkein, who essentially wrote Lord of the Rings to provide a home for his several invented Elvish languages, is considered the founding father of this era.But what brings language inventors of all eras together is an abiding desire to change the world through one of its most fundamental mediums. These are people who think big. They understand th
at language shapes thought, expression, reason and emotion, along with culture, so they want to shape the ultimate shaper. And all of them seek to do so for exclusively constructive reasons: they want to improve clarity of thought; they want to bring peace; they want to express themselves more fully; they want to create community; they think it's incredibly fun. And they do it on the level of grammar, syntax, even phonemes. The work involves total submersion into language as a concept and a concrete tool. The fact that most of these people are amateurs doesn't stop them from professional-level study of what makes communication work at its most basic level.So what, you might be saying. Why bother? Who actually speaks an invented language? Who has even heard of someone who does? (Actually, I took Esperanto lessons in the summer between 6th and 7th grade, not that I remember any of it.) But that is another cool thing about Okrent's book. She opens the doors of the invented language subcultures and invites us in. We get to meet the people, quirky and quixotic, who insist on doing this work despite raised eyebrows and open ridicule.
We meet the small but passionate Esperanto culture that exists to this day, and which includes its own rock music, literature, poetry and a very small number of native speakers (children raised by Esperantists). We hang out with speakers of Klingon, uber geeks even by Trekkie standards, who have translated Hamlet into a language invented for a TV show about an alien race that doesn't exist. (At least not in the way the writers of Star Trek envisioned.) We see how a pictographic language called Blissymbols changed the lives of children living with celebral palsy. We witness real people engaging in a kind of escapism, yes, but a kind of escapism that results in actual transformation. The invented becomes concrete through the actions of real people in the real world.
In this way, it's
This is also exactly the reason I'm a geek. I love it when people go against the grain to create alternative realities because the one we're living in leaves much to be desired. It's weird, but it's hopeful. It's creative in the strictest sense of the word. (NB: In most invented languages, I would not have to draw your attention, as I just did, to the shades of meaning in the word creative. There would be a separate word for creative meaning original and innovative, and creative meaning relating to the process of creation.) It's not that I long for an alternative to the languages we have. After all, they were invented, too, by all of us over the centuries, and they get the job done, more or less. It's just that there is something so fascinating about striking new ground in a realm we take for granted, for having the will to break out of the mold in such a fundamental way. Some of the most interesting conversations I've had in the past year have been with K about what it's like to walk the rocky road to fluency in a second or third language, as they have. It is not a road I've traveled very far along, despite my best efforts over the years (starting with Esperanto and moving on from there). But there is no doubt about the power of the experience. From what I can tell, it becomes impossible to look at meaning and self expression in quite the same way. Imagine, then, attempting to express your world view as an invented language, where the goal is not the journey to fluency but the creation of a whole new expressive realm.
Unsurprisingly, as Okrent writes, it becomes the life work of most who attempt it. You could argue there are more important tasks to spend time and energy on. Or you could be thankful, as I am, there still is a small space in the world for linguistic Don Quixotes and their dictionary-sized dreams.


























